Writing in 2nd-Person POV: Q & A with Authors Anna-Maria Crum and Hilari Bell

This is a follow-up to two previous posts about stories written in second-person point of view (POV). If you want the basics on what second-person POV is or why you might want to try using this writing style, check these out:

Engage Readers: Make Them Part of Your Story
Connect With Readers–Without Breaking the Time Bank

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Writing Second-Person POV–“In the Trenches” With Hilari and Anna-Maria!

Today, we’re going to dig a little deeper into how to make second-person POV work–by talking to a pair of authors who are in the midst of writing their own second-person POV project, Hilari Bell and Anna-Maria Crum.

CoGlogoHilari and Anna-Maria are currently going through the submission process with one of the foremost (in my opinion) publisher’s of choose-your-own-adventure stories/games, Choice of Games (COG). They’ve graciously agreed to talk about their experience with this company as well as what it’s been like to work on a project that’s so different in so many ways.

Since these two are so excited about their current project that they finish each others’ sentences, I don’t identify who’s speaking in their replies. They’re definitely well-practiced at working, brainstorming, and creating as a writing team!

How would you describe the writing process for a choose-your-own adventure tale, as compared to your experience writing more traditional first-person or third-person POV narratives?

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Getting Practical: 3 Ways Writers Can Use Sketchnotes

Based on comments from y’all–not to mention which posts get the most traffic on this blog–I’ve made a cool discovery: Although you seem to appreciate posts on theory, what you REALLY like are posts that dig into specific examples.

PracticeIt-OwnIt

 Photos: Jaro LarnosSheltie Boy, State Library of South Aus, & Woodleywonderworks

Practice a Concept–OWN the Concept

Makes sense to me! I don’t really understand a concept until I try it out six ways from Sunday and make it my own, if you know what I mean :).

So I thought I’d try an experiment. On Mondays, I’ll continue to bring you information and tips about writing, creativity, and novel ways to connect with readers. Thursdays, we’ll dive into specifics–specific examples, specific applications, specific challenges, and so on, that have to do with the week’s topic. Starting with (drumroll, please…) sketchnoting!

Sketchnoting is a powerful tool for writers & other creatives–I dare you to give it a try!

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Add Sketchnotes to Your Creative Process: 3 Ideas

Idea 1: Use sketchnotes to create a “mind map” of conference sessions, lectures, or other presentations.

How? Simply apply basic sketchnoting principles as described by sketchnoting authority Mike Rohde in the Sketchnote Handbook: The Illustrated Guide to Visual Note Taking.
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3 Reasons Sketchnotes Can Level Up Your Creative Process

tsh-cover-175pxDo you ever finish a brainstorming session feeling like you’ve just rehashed the same old ideas on new sheets of paper?

Does your freewriting exercise stall before you hit the second paragraph?

Does your plot refuse to twist, or do your characters insist on behaving predictably?

Maybe you need a creative kick-start! I have an awesome–and fun–new tool for you to add to your creativity toolbox:

SKETCHNOTES 

 

What the Heck Are Sketchnotes?

Sketchnoting authority Mike Rohde, author of the Sketchnote Handbook: The Illustrated Guide to Visual Note Taking, puts it this way:

Sketchnotes are rich visual notes created from a mix of handwriting, drawings, hand-drawn typography, shapes, and visual elements like arrows, boxes & lines.”

Sketchnotes arose from Mike’s frustration with the standard note-taking process. He was filling notebooks with pages of detailed, text-only notes, and then never referring to them again.

Sound familiar? How many of us have notebooks full of notes from conferences and meetings, notebooks that now gather dust on shelves (**raises hand**)? Perhaps worse, how many of us have notebooks filled with valuable story ideas or character descriptions, similarly gathering dust because sorting through them is too daunting a task?

Sketchnotes focus on capturing BIG IDEAS and representing them VISUALLY. By using symbols and shapes to capture concepts, sketchnotes can convey information more succinctly than text alone. The way information is organized on the page can help communicate a hierarchy of ideas or logical progression.

The end result is a “visual map,” Mike says. Sketchnotes “are built from meaningful thoughts and ideas your mind collects and squirrels away….”

In other words, when you translate ideas into sketchnotes, you store them in a format that’s easy to review and access later.

Sketchnotes let you translate ideas into a format that’s QUICK TO SCAN and EASY TO REVISIT. 

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Cool, right? But that’s not the only benefit of sketchnoting–as you might’ve guessed based on the the title of this post.

Sketchnoting Is About PROCESS as Much as PRODUCT

Sketchnoting isn’t just about creating a beautiful end product–which is why you don’t need to be an artist to start creating your own sketchnotes. Sketchnoting helps you think differently.

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Connect With Readers–Without Breaking the (Time) Bank

In my last post, I bombarded you with examples of writing in second person–that bizarre voice where the narrative is about YOU, the reader, as a character in the story. Hopefully, I answered your questions about what second-person voice looks like. I may have even answered the all-important question of WHY you might want to experiment with something as funky as writing in second-person voice voice. That is, that second-person writing pulls readers into your story world, deepens audience engagement, and gives fans a richer, more enjoyable story experience.

Time and Quantum Physics

If you’re like most fiction writers I know, though, you probably have another crucial question: How can you provide your readers with MORE content when you’ve already got two books in the works, kids to pick up, a dog that need to get to the vet, DINNER TO COOK, GROCERIES TO BUY, AND

Get the idea?

If your days go anything like mine do, you’re probably in an ongoing battle with too-much-to-do-itis, but you CAN level-up your readers’ experience without breaking the “time bank.” The key is defining your project before you begin, tailoring it to fit your specific situation. In other words, writing MORE isn’t enough. You need to pick the RIGHT writing project–let’s call it your “value-adding” project, since it increases the value of your primary work–to fit your specific needs and resources.

Read on to learn how!

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