How to Create a Checklist for Quick & Easy Self-Editing

If you’re a frequent traveler, you probably have a packing checklist–a master list of clothing, toiletries, computer equipment, electronics, etc, that you need to remember to pack. A packing list prevents mistakes by helping you remember all those miscellaneous items you need to collect every time you head out of town. A packing list also saves you time because you don’t have to start from scratch every time you pack.

As a writer, an editing checklist serves essentially the same function.

  • It helps you track those easy-to-miss details so you don’t make errors of omission.
  • It’s a cumulative document, taking advantage of your experience over the long haul.
  • It helps you to break down a potentially overwhelming task (editing a manuscript) into a series of manageable steps.

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In other words, an editing checklist helps you complete your work more effectively, in less time, via a defined process.

It marks you as a professional!

Step 1: Define Your “Buckets”

So what goes on your editing checklist?

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Writers: Trade Info Overload for Info Mastery With One Small Shift

Blog posts, Twitter, books, magazines, articles, industry news, RSS feeds, YouTube, Tumblr, Facebook, email….

With so many data sources in our lives, it’s easy to feel overwhelmed. We’re living with a fire-hose stream of information turned on us, full blast! How many times have you sat down at the computer to read one article, clicked to something else, and something else again, until you looked up to realize that an hour had disappeared?

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Now imagine this:

You sit down to review your subscriptions and RSS feeds. Instead of scanning through so many Tweets and web pages and blog post titles that they all start to blur together–instead of clicking links indiscriminately (because so many look like they contain really useful info)–you select two or three based on predetermined criteria. You know exactly what kind of information you’re looking for, because you’ve chosen a focus; you limit your reading to the specific skill you’ve decided to hone in the coming week.

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3 Essentials of Effective Character Descriptions

footprint-71137_1280Imagine this scenario: You’re working on that all-important first chapter. You have all your resource files open on your computer, or perhaps printed out and spread on the table beside you: timelines, plot points, character notes, setting details.

You pen the opening paragraphs, setting the scene while avoiding too much description. You add a dash of dialog, a little action. Your main character is on the scene and you know exactly what she looks like, because you’ve written pages of description. You might’ve even written up a nifty character interview. Heck, you know everything from her favorite nail polish color to the contents of her backpack.

It’s time to paint her picture for the reader…and you have no idea where to start.

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Writing in 2nd-Person POV: Q & A with Authors Anna-Maria Crum and Hilari Bell

This is a follow-up to two previous posts about stories written in second-person point of view (POV). If you want the basics on what second-person POV is or why you might want to try using this writing style, check these out:

Engage Readers: Make Them Part of Your Story
Connect With Readers–Without Breaking the Time Bank

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Writing Second-Person POV–“In the Trenches” With Hilari and Anna-Maria!

Today, we’re going to dig a little deeper into how to make second-person POV work–by talking to a pair of authors who are in the midst of writing their own second-person POV project, Hilari Bell and Anna-Maria Crum.

CoGlogoHilari and Anna-Maria are currently going through the submission process with one of the foremost (in my opinion) publisher’s of choose-your-own-adventure stories/games, Choice of Games (COG). They’ve graciously agreed to talk about their experience with this company as well as what it’s been like to work on a project that’s so different in so many ways.

Since these two are so excited about their current project that they finish each others’ sentences, I don’t identify who’s speaking in their replies. They’re definitely well-practiced at working, brainstorming, and creating as a writing team!

How would you describe the writing process for a choose-your-own adventure tale, as compared to your experience writing more traditional first-person or third-person POV narratives?

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