Connect With Readers–Without Breaking the (Time) Bank

In my last post, I bombarded you with examples of writing in second person–that bizarre voice where the narrative is about YOU, the reader, as a character in the story. Hopefully, I answered your questions about what second-person voice looks like. I may have even answered the all-important question of WHY you might want to experiment with something as funky as writing in second-person voice voice. That is, that second-person writing pulls readers into your story world, deepens audience engagement, and gives fans a richer, more enjoyable story experience.

Time and Quantum Physics

If you’re like most fiction writers I know, though, you probably have another crucial question: How can you provide your readers with MORE content when you’ve already got two books in the works, kids to pick up, a dog that need to get to the vet, DINNER TO COOK, GROCERIES TO BUY, AND

Get the idea?

If your days go anything like mine do, you’re probably in an ongoing battle with too-much-to-do-itis, but you CAN level-up your readers’ experience without breaking the “time bank.” The key is defining your project before you begin, tailoring it to fit your specific situation. In other words, writing MORE isn’t enough. You need to pick the RIGHT writing project–let’s call it your “value-adding” project, since it increases the value of your primary work–to fit your specific needs and resources.

Read on to learn how!

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Engage Readers: Make Them Part of Your Story

The Magic of Writing in Second Person

You probably know what second person voice sounds like. At least, in theory. If you’re writing a story in first person, you might say something like “I sipped my morning latte.” Change that to third person voice, and instead you write, “He sipped his morning latte.” By extension, writing in second person changes the sentence to, “You sipped your morning latte.” It’s not a very common form of writing. Most of us only use it when writing informal nonfiction — like this blog post.

However, as any childhood fan of the Choose Your Own Adventure book series will tell you, there’s a certain magic in reading fiction written in second person voice. It’s an invitation to the reader: Let’s play pretend…

Mid-Atlantic_Center_for_the_KidsDay-framed2

Photo: Mid-Atlantic Center for the Arts & Humanities

Stories that place the reader in the role of the main character can intensify reader engagement, drawing your audience deeper into the story and blurring the lines between fiction and reality. They give readers a feeling of control, let them feel like they’re participating in story events. In the case of a “choose your own adventure” type tale, the reader influences the story’s outcome.

But, you say, I don’t really want to write a choose-your-own-adventure book.

Don’t stop reading!

Opportunities abound for using this tool to engage and connect with your readers. That’s because modern entertainment has become more and more interactive. A decade ago, second person voice used outside of a choose-your-own-adventure book would have been considered an artistic statement at best and, at worst, simply confusing.

Today’s audiences recognize the invitation posed by a second-person narrative–the author’s invitation to enter the story and play. They’re ready to play along!

This post is the first in a 3-part series. In Part 1 (this post), we’ll take a look at the three most common ways writer use second-person voice. More importantly, we’ll look at how these three different approaches affect your readers’ ability to suspend disbelief and enter into your story world.

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How Dreams Can Inspire Your Fiction Writing

Laura K. Deal is both a wonderful writer and a graduate of the Marin Institute for Projective Dream Work, and she combines these two sides of her life when she teaches classes such as Writing and Dream Symbols, which I attended a few weeks ago. In the class, we performed a series of writing exercises beginning with images and dream symbols.

The experience was unexpectedly powerful. By beginning with a piece of artwork and a handful of symbols from others’ dreams, I was drawn into a waking dream. My mind pulled together these seemingly unrelated pieces to create a new image: a hilltop garden with five paths radiating outward, a silent woman standing at the garden’s center, a storm brewing in the background.

Strange as it sounds, this image led me to a new understanding of the magic system in the series I’m working on currently: relationships between races, key characters, magical rules—all of these stemmed from a twenty-minute free write that had nothing to do with my story problem. Or at least, I didn’t think it had anything to do with my story problem, which was perhaps the point. I’m supposed to be trusting my intuition. When I did, intuition led me where I needed to go.

But enough about me—Laura can do a far better job of explaining dream work and its power to inspire. Enjoy!

laurakdeal Could you explain dream work to the uninitiated?

The kind of dream work, or dream reading, that I do is consciously projective. I help people explore the meanings of their dreams and the symbols within them while staying aware that everything I see as a possible meaning for the dreamer is a possible meaning for me, as I imagine the dream for myself. What I say might or might not resonate with the original dreamer. Only the dreamer of the dream can say with certainty what her or his dream means.

However, we tend to be blind to some layers of meaning in our own dreams because dreams come to help us become more conscious about our own lives and motivations, and I might not see the deeper meanings of my dream precisely because that information is still unconscious for me. So when someone offers projections on possible meanings that I might not have seen, sometimes I will get an “aha” moment that indicates we’ve touched on some truth. The magic of working this way is that I can do much of my own inner work on the imagined version of other people’s dreams, so we all benefit and become more self-aware.

Why would one try to interpret a dream?

In addition to uncovering hidden motivations and unconscious patterns, I’ve seen dreamers perceive situations in their lives in a whole new way, which is the first step toward bringing creativity to bear to solve what might have seemed an unsolvable problem.

Dream work has uncovered physical health problems for many people. I had a short dream a few years ago that had a profound impact on my understanding of my relationships with beloved relatives who were reaching the ends of their lives. That dream is still yielding new information for me. I know dreamers whose life paths have changed dramatically for the better because they followed advice they found in their dreams. Also, nightmares usually lose their terrifying quality when the symbols are explored, so it can be of great comfort to the dreamer to understand the symbolic meanings of a dream that on the surface appears horrifying.

You offer a workshop that weaves together writing and dream work. Could you tell us a little about how that works?

I’ve studied both fiction writing and dream interpretation for many years. I realized that they have important elements in common: they both emerge from the same creative space in our minds, and both rely on metaphorical imagery and metaphorical thinking. It seemed a natural progression to bring them together.

I use the same kind of writing prompts that I use in my regular writing classes to tap into the creative well within, but instead of words and phrases pulled out of magazines or books, I have participants use several dream symbols to write a dream. It reinforces the similarities between the waking dream (the work of fiction) and the sleeping dream, and it takes off any self-editing pressure the writer may have since a dream doesn’t need to have a coherent narrative.

Writing Prompt

Sound interesting? If you’d like to try using dream symbols to inspire your own writing, Laura has shared one of the exercises from her workshop to get you started:

Jot down six dream symbols you remember from your own dreams or dreams of friends, or pick six symbols from a dream dictionary, then take 10-15 minutes to weave the symbols together into a dream. The more we play with dreams and metaphors and associations as writers, the richer our fictional characters and worlds become.

You can also learn more about dreams, dream symbols, imagery, and metaphor at Laura’s First Church of Metaphor blog—a great site for creative inspiration.

If you try this prompt, why not share your experience or part of your “dream” in the comments? This is an exercise best done in community, so please share!